The Father of the Modern Roller Skating

In January of 1863, James Leonard Plimpton patented his four wheeled turning roller skate. The mechanism had a pivoting action dampened by a rubber cushion which permitted the roller skate to curve, simply by leaning weight in the desired direction of travel. At last a roller skater could move around the floor as if one were on ice. One foot and two foot turns could be done easily and momentum could be built up by an out and in scissors movement, a difficult feat to do on former roller skate models.

Plimpton was in the furniture business in New York City at this time and he built a roller skating floor in his offices. He leased out skates rather than selling them, as he was promoting skating to the clergy and city officials as a supervised sport for young ladies and gentlemen--not for the masses. He founded the New York Roller Skating Association (NYRSA) to promote the sport of roller skating.

The invention of the Plimpton action skate quickly revolutionized the roller skate industry. Although Plimpton became wealthy from his invention, there were so many infringements on his patents (as many as three hundred), that his lawyer made up form letters to warn offenders.

After over 100 years of advancement, the Plimpton action skate, wood skating floors, class lessons, and proficiency tests all testify to one of history’s greatest skating innovators, James L. Plimpton.

In 1876 the famous English novelist, Charles Dickens, then a reporter for the London Newspaper, wrote a story on roller skating. He credits Plimpton with inventing the wood skating floor, “narrow strips of wood, so sawn from the timber and placed on the floor that the grain of the wood in none of the strips is parallel to the surface of the floor.” DIckens described the Plimpton skate as the “rocking skate,” others called it the “circular gliding skate.”

In the summer of 1866, the NYRSA leased the Atlantic House, a fashionable resort hotel in Newport, Rhode Island, and converted the dining room into the skating area. Suites were leased to NYRSA members and their guests. This was the first roller skating rink open to the public in the United States.

In 1875, Plimpton visited England and testified in court about his role in the process of the development of the roller skates. He stated, “I have been interested or engaged more or less for the past thirty years, in mechanical pursuits and I consider that during that period I have acquired a fair theoretical and practical knowledge of mechanics. About the year 1861, being in bad health, I was advised to practice ice skating and I derived much benefit from it, and when I could not practice upon the ice, I resorted to roller skating and I purchased a pair of roller skates of the most improved construction on sale in New York. I found it almost impossible to force the skate to the right or left. From the time of ascertaining this, which happened about the month of March 1862, to the middle of September or October in the same year, I made various experiments, and step by step I succeeded in making a roller skate which I could control in curves by moving the axis of the rollers  out of parallel by rocking the footstack laterally.” And thus the origin of thus was the origin of the Plimpton roller skate.

You sill see this letter on the left side wall.

On the right side wall is an image of a rink.

On the bottom shelf you will see a Plimpton skate to the left. Plimpton’s original 1863 model shows solid triangular shaped pieces on the truck assembly with round rubber cushions placed between the triangles. A wood plate and a pivot rod allowed the wheels to turn. There were adjustable toe and heel clamps to fasten the shoe to the skate.

The improved James L. Plimpton parlor skate introduced in 1866 combines rollers and an ice blade. The silver brass swans attached at the front show what the skate would need to become an ice skate and the wheels in the rear demonstrate the roller skate idea. Plimpton suggested four edges as opposed to the traditional one blade (swan) so that the skate could be turned or reversed as the edges become his swan skate is on the shelf as well.

In the middle of the two aformentioned skates  you will see an 1874 Plimpton skate. This Plimpton skate was patented in 1874 and has the remains of emery on the wheels which helped prevent the skate from slipping on the skating floor. The tag was Plimpton’s own that he used to identify skates in his collection.

In the late 1860’s, Plimpton instituted the class instructional system which is still in use today in some regards. The first “proficiency” medals for roller skating were designed by Plimpton, and awarded in his rinks throughout the world. The Plimpton medal was cast in bronze and was awarded to individuals who were advancing the sport of roller skating.

To the right you will notice a Plimpton skate Number 10, which was used in court hearings to demonstrate how he developed his invention. The skate was an experimental forerunner of the patented 1863 model.

Lastly you will see another Plimpton model skate. This skate was produced by Plimpton sometime between his first patent model skate in 1863 and his improved patent model in 1866.

Art of the State 2022: A Juried Exhibition of Colorado
  1. alpert+kahn - "the capacity of illumination"
  2. Judy Anderson - "The Sound of Trees"
  3. Julie Anderson - "Refugee"
  4. Finn Baker - "Where Stories Repeat Themselves"
  5. Tree Bernstein - "Once in a Blue Moon"
  6. Tonia Bonnell - "Unfolding (Blue)"
  7. Scottie Burgess - "Loaded Logo"
  8. Michael Campbell - "Wild Earth"
  9. Al Canner - "Octopod"
  10. Taiko Chandler - "Shades of Grey #1"
  11. Joelle Cicak - "Our Ladon"
  12. Neil Corman - "Balconies"
  13. William Day - "TOGETHERNESS"
  14. Terry Decker - "GARDEN OF THE GODS"
  15. Chris DeKnikker - "Reunion"
  16. Irene Delka McCray - "All This Time"
  17. Chapin Dimond - "Gold Mountain Ring (CDr310-ss/18kry)" and "CDr511-MG-18krySleeve"
  18. Thinh Dinh - "Yellow Clouds & Green Skies V.1"
  19. James Dixon - "Phone"
  20. Nathan Dominik - "Growing"
  21. Nancy Eastman - "Desert Storm"
  22. Melissa Furness - "Every cloud has a silver lining"
  23. Gayle Gerson - "Golden Hour"
  24. Jody Guralnick - "hydnum imbricatum"
  25. Jane Guthridge - "Dancing Color 16"
  26. Wendi Harford - "Melon Drop"
  27. Karen Haynes - "Drifting In and Out"
  28. Deborah Jang - "We're not in Kansas anymore"
  29. Marston A. Jaquis - "Hints & Allegations"
  30. Erick Johnson - "Snowflake Feather"
  31. Junomatico (Kristina Davies and Charlo Garcia Walterbach) - "Soul Play"
  32. Susan Kane - "Fruita Grain Elevator"
  33. Margaret Kasahara - "Notation 33-20" and "Notation 12-21" and "Notation 22-21"
  34. Gayla Lemke - "Oh Monday, Monday, how could you leave….?"
  35. Nancy Lovendahl - "Culture 1.0"
  36. Mark Lunning - "Yes, the World is round"
  37. James Makely - "Cuff 13"
  38. Terry Maker - "Living and Breathing"
  39. Raj Manickam - "Juniper's Last Gasp"
  40. Joseph Manuel - "3 Angles"
  41. Betsy Margolius - "Riverfront II"
  42. Tom Mazzullo - "Two-part Invention No. 18"
  43. Sarah McCormick - "withinland"
  44. Chuck McCoy - "Form One Configured"
  45. Amy Metier - "By The Waters"
  46. Grace Morris - "Sobering Effects"
  47. Meredith Nemirov - "RIVERS FEED THE TREES #463"
  48. Al Orahood - "Limon 3"
  49. Tony Ortega - "La Troca Roja"
  50. Roger Reutimann - "CYBER DROPPINGS"
  51. Eileen Roscina - "Iris"
  52. Craig Rouse - "A Monday Afternoon"
  53. Gregory Santos - "Oopsie"
  54. Heather Schulte - "The Impetus of US" and "Control-Alt-Delete"
  55. Evan Siegel - "Westy"
  56. Brady Smith - "Structures for Coping no. 13"
  57. Robert Smith - "Bulbous saggar vase"
  58. Sharon Strasburg - "Granite Altar 2"
  59. Autumn T. Thomas - "Eccentricity"
  60. Lucas Thomas - "Debris"
  61. Floyd Tunson - "Worker Bee"
  62. David van Buskirk - "Samadhi"
  63. Becky Wareing Steele - "Portal from the series Models for Future Altars"
  64. Christopher Warren - "Plowshares: Altered Colorado"
  65. Pamela Webb - "Grounding Twig Set - Necklace and Earrings"
  66. Mami Yamamoto - "Life With Countless Optimism"