“GOOD THINGS COME TO THOSE WHO WAIT” is an anaglyph drawing representing a "symbolic immigration body map" chronicling the 24 years I have lived in America since first immigrating to Denver, Colorado in 1999. Using data art, mapping and performance, the 24 horizontal lines represent biographical responsive body movements to learned hardships from each year lived in marginal space. In homage to my love for cinema and the metaverse, the final piece can be experienced with 3D glasses. Viewers should first experience the art wearing the provided 3D glasses using both color lens then cover each eye and view the art through one color. The completed piece contains over 800 nude self portrait figures hand traced in red and blue ink; repetition as raising awareness.