Room 3. Forgetting the most precious thing. How can an encounter turn into loneliness?

In 1938, Mihail Sebastian moved into the studio at 95 Calea Victoriei. From the 8th floor, floating among the city's modernist buildings, he could hear the buzz of the street filled with people, the joyful noise of night-time parties, soon replaced by the sounds of horror: legionnaires marching, gunshots and cries of rebellion, motorised columns of the German army.

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Encounters. Or how a new world begins.
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  1. Nicolae Grigorescu, Young Peasant Woman Resting, circa 1885
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  2. Room 1. A love longer than detention. When does an encounter become the great love?
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  3. Room 1. A love longer than detention. When does an encounter become the great love?
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  4. Room 2. Resistance through friendship. What if it takes courage for an encounter to last?
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  5. Room 2. Resistance through friendship. What if it takes courage for an encounter to last?
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  6. Room 3. Forgetting the most precious thing. How can an encounter turn into loneliness?
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  7. Room 3. Forgetting the most precious thing. How can an encounter turn into loneliness?
  8. Room 4. The Beauty that is born. What can great encounters give birth to?
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  9. Room 4. The Beauty that is born. What can great encounters give birth to?
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  10. Room 5. An Antidote to Forgetting. How can an encounter survive time and distance?
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  11. Room 5. An Antidote to Forgetting. How can an encounter survive time and distance?
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  12. Room 6. Loyalty. And Death. What price I am willing to pay for my friend?
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  13. Room 6. Loyalty. And Death. What price I am willing to pay for my friend?
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  14. Room 7. To the One Whose Hand I Knew How to Hold Only for a Few Moments
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  15. Conclusion. The Attic.
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