The title of Steven J Yazzie’s Yuméweuš is derived from the words: you, me, we, us. The use of the words “you,” “me,” “we,” and “us” suggests that the installation explores themes of relationships, community, and togetherness.
The art installation itself is a living and dynamic piece, with the story of the work unfolding and evolving over time through the growth of the edible plants, dianthus, and a viola mix, which are being cultivated in a hydroponic system. The plants serve as a central element of the installation, and their life cycles and growth contribute to the overall narrative and message of the piece. The use of a hydroponic system to grow the plants adds an additional layer of meaning, as it highlights the ways in which technology and human intervention can impact and shape the natural world. Overall, the living installation creates a unique and immersive experience for viewers.
The sand painting of the chemical compound for dopamine is an interesting and
thought-provoking element of Yazzie’s installation. The use of the sand painting technique, which has roots in Navajo and Diné culture, adds a cultural layer to the piece and invites viewers to consider the connections between art, culture, science/technology, and healing. By using the chemical compound for dopamine as the subject of the sand painting, Yazzie hopes to bring in a scientific element, inviting viewers to consider the role of chemistry in the human body and in emotions such as pleasure and well-being. The repetition of the design around the hydroponic tower additionally adds to the overall theme of cycles and growth.