The National Pantheon

The National Pantheon of Portugal, originally known as the Church of Santa Engrácia, holds a significant place in Lisbon's architectural and cultural heritage. Construction of the church began in 1682 under the direction of architect João Antunes, in the Baroque style typical of the era. However, due to various interruptions and financial constraints, the church remained unfinished for centuries, earning it the colloquial name "Santa Engrácia's Promise" (Promessa de Santa Engrácia).

It wasn't until the 20th century that the decision was made to convert the unfinished church into the National Pantheon. In 1916, during the Portuguese First Republic, the church was designated as the final resting place for illustrious Portuguese citizens who had significantly contributed to the nation's history and culture. The transformation into the National Pantheon aimed to honor these figures and preserve their legacies for future generations.

The interior of the National Pantheon features elaborate marble decorations, gilded altars, and magnificent sculptures, showcasing the opulence of Baroque architecture. The dome, a hallmark of the building, offers stunning views of Lisbon's skyline and the Tagus River from its rooftop terrace.

Among the notable figures interred or commemorated at the National Pantheon are Luís de Camões, whose epic poem "The Lusiads" celebrates Portuguese exploration; Amália Rodrigues, the iconic Fado singer who popularized the genre worldwide; and Humberto Delgado, a prominent political figure known for his opposition to the Salazar regime. These individuals represent a diverse array of achievements in literature, music, politics, and military service, reflecting Portugal's rich cultural tapestry and historical evolution.

Visiting the National Pantheon allows visitors to delve into Portugal's storied past and pay homage to the individuals who have shaped its national identity. As a symbol of reverence and national pride, the National Pantheon continues to serve as a poignant reminder of Portugal's cultural heritage and the enduring legacy of its most distinguished citizens.

LISTEN through their EYES : Stories from Rwandan biowaste workers
  1. What is RUNRES?
  2. Circular economy of organic waste: A pathway for creating decent jobs for youth and women in Rwanda?
  3. Photovoice: A community-based participatory research methodology
  4. Participant observation: Building trust by sharing the work
  5. Felicite Nyirahabineza
  6. Thierry Shyaka
  7. Thierry Shyaka
  8. Protogene Nyandwi
  9. Felicite Nyirahabineza
  10. Ismael Muneza
  11. Yousuf Twagirimana
  12. Julienne Uwase
  13. Felicite Nyirahabineza
  14. Alphonsine Mukamwiza
  15. Julienne Uwase
  16. Alphonsine Mukamwiza
  17. Alphonsine Muhawenimana
  18. Julienne Uwase
  19. Alphonsine Muhawenimana
  20. Thank you for your visit!